Andromeda strain movie came out12/8/2022 This has not affected the editorial process. You can snag the shooting script in PDF form from this disc, and read it alongside the various trailers and an image gallery.įull disclosure: This Blu-ray was provided to us for review. Two DVD features dating back to 2001 include a retrospective making-of (30-minutes) and a Michael Crichton interview (12:33). Critic Kim Newman speaks for almost a half hour in a video essay discussing Andromeda Strain and other killer virus cinema. Pop culture writer Bryan Reeseman heads into the booth for a pleasing commentary track. ![]() That’s enough for this PCM offering to handle. This is a quiet movie, often pushed along by computer-y sounds and other light ambiance. Audio holds together without audible strain. A plethora of warning sirens test treble. Dialog keeps clarity in tow, dated only by way of natural age. AudioĪ PCM 2.0 mono affair works for what Andromeda Strain needs. Andromeda Strain shows no signs of being brightened, and depth still works as needed. That’s likely more on the film stock (and intent), even as some of the grain becomes pronounced in darker areas. Rarely do they reach appreciable density. If there’s an issue, it falls to black levels. Other primaries factor in as needed, rendered well. Flesh tones stand out with an organic purity. The first floor is deep red, a challenge for the encode, which escapes without problems. Set design is purposefully plain, although does feature all manner of switches and light boards. Tense close-ups look as such, and the litany of split diopter profile shots haul in definition. ![]() Arrow’s compression proves capable in preserving the aesthetic without falling to digital pitfalls. Heavy grain is a hallmark, adding grit to the images, thick and hearty. Andromeda Strain isn’t far off.Īrrow’s Blu-ray release transplants the film stock to a pleasingly encoded digital medium. The best sci-fi can make such a connection. Each closes on ominous words, suggestive of real world likelihood. With Andromeda Strain, he ends this work similarly. Inside, everything is done in desperation, waiting for tests to finish, details to emerge, and processes to complete.ĭirector Robert Wise also led 1951’s The Day the Earth Stood Still, an undeniable classic warning of human aggression. Outside, the space virus risks escaping through the air. Slow and plodding as Andromeda Strain tends to move, that deliberate, reluctant storytelling style fits. Through it all, Crichton’s intense realism is preserved on-screen (at times too real with short scenes of animals suffocating). Scenes of heroism jump forward, bettering a routine countdown clock finish. Stress levels peak, testing characters like Ruth Leavitt (Kate Reid) whose dry cynicism stands out from the typically pale disposition of movie doctors. The final 40-minutes or so, Andromeda Strain catches fire. A narrative undercurrent of nuclear fears adds to the drama. It’s a reassuring movie, in a way, showing quick action and decisive solutions in case of such an event. Cold War tension lingers on the underside. Some of that seeps in from 2001 no doubt, but the focus is on how government advances can detect and prevent germ/viral disasters. There’s a subtle theme of distrust, where some scientists believe in digital computation, others their own minds. Andromeda Strain lavishes attention on the “advanced” electronics. That’s cause for a languishing middle act. Slow and plodding as Andromeda Strain tends to move, that deliberate, reluctant storytelling style fits They do so with low-res computers and mechanical arms, scintillating tech in 1972. Inside a five-level quarantine facility, a team of doctors unravel a space-born mystery found on a crashed satellite. Packing up those fears of rogue government bases, hidden by a seemingly normal exterior, Andromeda Strain plays to classic conspiracy theorist literature, if instead of UFOs, hard, plausible science. That’s the Michael Crichton difference, as Andromeda Strain is based his novel of the same name. Released in 1972, it’s an evolution, taking something that in the ‘50s might regress to a monster movie but playing this material straight. In a more contemporary setting, think Steven Soderbergh’s Contagion, but Andromeda Strain finds a unique venue. The regret, the fear humanity screwed up again.Īndromeda Strain groups itself into the virus movie sub-genre. There’s a moment late in Andromeda Strain when scientists realize the extent of a deadly virus they spent the movie researching.
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